We chat to Kiefer Sutherland about horror movie Mirrors and his work as Jack Bauer on 24.

HDR: When did you film Mirrors?
Kiefer Sutherland: Between Season six and seven of 24, and we finished it on weekends when we started shooting Season seven.

HDR: Why were you interested in making this film?
KS: I really wanted to work with director Alexandre Aja and do a film in this genre. As an actor your desire is to illicit a response from an audience, and there is no better genre to do that in than this. I get very affected when I see films. I suspend my belief and let the film take me somewhere which makes me very vulnerable for a film like this, so it’s a lot easier for me to make the film than to watch it.

HDR: What’s the scariest scene in the film?
KS: Obviously the first time he looked in the mirror made me jump but the oddest thing is I know its coming, and I still jumped. Even just going through the building and waiting for something to happen is scary to me. Believe me, I’m the easiest person to make this movie for.

HDR: Tell us about the Mayflower department store. Where was that shot?
KS: We shot the film primarily in Bucharest, Romania. The former Communist leader Ceausescu had built this Academy of Sciences building that was never finished by the time he died in 1989. The building was really a testament to his ego so it hasn’t been used and there was a sense of abandonment you could really feel. It’s a cold war building and you could feel the weight of that and there was a musky quality to them. It was great to shoot in a real building rather than a set, because we could do 360 degree shooting.

HDR: What was the most demanding scene to film?
KS: The whole breakdown in front of the mirror, because it’s really easy to be really trite with something like that and the fact that I was looking straight into a mirror which really made the whole experience really weird.

HDR: How much did your father’s (Donald Sutherland) work influence you to make a film in this genre?
KS: I think he made one of the greatest pieces of cinema ever made with Don’t Look Now by Nicolas Roeg. That to me was an enlightened movie, and one of the scariest films I ever saw. I was way too young when I first saw that, about 16 or 17. But my father has done so many great films. I also thought the remake of Invasion of the Body Snatchers was fantastic. My interest in doing a film like this is when you have characters that you are invested in and then the horror elements come in. I felt Alexandre balanced that beautifully in the script for Mirrors.

HDR: You’ve seen the highs and lows in this business. What keeps you going?
KS: I love working. The only times I’ve had to stop is cause I couldn’t get a job. I wouldn’t call myself an artist; I feel more like a carpenter when I go to work. I love acting and creating a character is one of the most exciting things for me. 24 has been one of the greatest educations for me as an actor, because I really started to realize how much I didn’t know about the work. For the first time in my life I have gotten to work for seven years straight day in and day out. Acting is a muscle and to be able to train like that, making something that people are enjoying has been an unbelievable gift.

HDR: What else has the seven years on 24 taught you?
KS: I have an understanding with the camera, in a way I didn’t before, so there are some technical things that I didn’t know before, but more importantly there is the emotional quotient you just can’t put a price tag on…confidence. It’s hard to do anything right if your confidence is low or your self esteem is low. That was one of the things that attracted me to this character in Mirrors. He is at an all time low. He lost his wife and he can’t see his kids and takes a job he really doesn’t want to take but then he has to pull himself up by the bootstraps.

HDR: Do you ever go back and watch your movies on DVD?
KS: No. I have a hard time looking at myself. I have one mirror in my house. I remember seeing Stand By Me for the first time and thought my career was over. In my head I wanted the character to be different, so I was disappointed when I saw myself and then the movie was so successful, and people liked my character, so it became very clear to me that I’m the last person that should be watching my own work. I only watch 24 when we have to sort out a problem; otherwise I try to avoid it.

Mirrors is out now on DVD and Blu-ray.

20th Century Fox has recently announced the US release of straight-to-Blu-ray sequel Dr. Doolittle: Million Dollar Mutts. Pampered with an AVC transfer and a 5.1 DTS-HD Lossless Master Audio track, the film features none of the original cast and takes an altogether different story route to its predecessors. Will this start a trend of economical, direct to BD sequels?

He may have missed out on the Oscar but Mickey Rourke will soon be flexing his muscles in The Wrestler’s BD match up. Announced in an early statement by 20th Century Fox, a supplement list is yet to be unveiled but what you can expect from this title is a grandstand AVC transfer and some pounding DTS-HD Master Audio. Of course when Optimum Releasing spec up the equivalent UK Blu-ray news we’ll have it here first.

20th Century Fox has released a full spec listing for Slumdog Millionaire, which surprisingly, is first making its BD debut stateside. Hitting Euro shelves on the later date of 01 June the US only has to wait a short while before a 31 March schedule date treats buyers to a rich edition of the Academy Award winning movie.

Judging by the supplement list below the promise of an AVC transfer and dual English and Hindi DTS-HD Master Audio tracks signal that this could easily be one of the biggest selling Blu-ray releases of 09 yet. Look out for an exclusive interview with star Freida Pinto in issue 18 of High Definition Review.

- Commentary by Director Danny Boyle and Actor Dev Patel
- Commentary by Producer Christian Colson and writer Simon Beaufoy
- Slumdog Dreams: Danny Boyle & The Making of Slumdog Millionaire
- Deleted Scenes:
- From Script To Screen: Toilet Scene
- Indian Short Film - Manjha
- Bombay Liquid Dance Music Video
- Slumdog Cutdown
- Digital Copy

 

300, TMNT, Casino Royale… these titles and many more hit the high-def formats early and took pristine pleasure in showing off what they could do in 1080p. However, landing on are desks in those heady early days, it was 2001: A Space Odyssey that was the true bolt out of the Blu.
Proving that retro releases can trounce the contemporary titles, Stanley Kubrick’s space opus set something of a high standard for following older gems to live up to. Fast-tracking to now - the midst of a Blu revolution - and studios seem to be lagging with regards to churning out some vintage Blu-rays. Warner showed early promise by following up 2001 with a gritty but great treatment of Bonnie And Clyde and a staggering Blade Runner package. Sony crafted a double feature package crammed with features for its anniversary launch of Close Encounters Of The Third Kind while Disney has excelled in bringing back to life Sleeping Beauty and Pinocchio.
But amongst the retro classics scrubbed up to standard in HD, there is a trail of disappointments. Paramount sang, danced and generally hyped up its ‘grand’ Godfather trilogy treatment only to produce a noisy clunker of a package. 20th Century Fox gave heavy extras treatment to The French Connection only for the finished picture to be an optimised mess and even MGM delivered a stinging blow by turning in a lacking treatment for office favourite, Raging Bull.
Each studio has proved that it can pluck a film from the archives and turn it into something special on Blu-ray. But incidentally it’s the titles that haven’t been hyped up, that haven’t had documentaries made gushing about a – let’s face it, failed –restoration process. 2001: A Space Odyssey is knocking on two years old now and has barely had a retro contender to take its crown. It really gets you thinking, are there any cinematic greats of old that are left to be turned into Blu gold?